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The Rhythm Section

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United Kingdom, United States, Spain · 2020
Rated R · 1h 49m
Director Reed Morano
Starring Blake Lively, Jude Law, Sterling K. Brown, Ivana Basic
Genre Action, Thriller

After the death of her family in an airplane crash on a flight that she was meant to be on, Stephanie Patrick discovers the crash was not an accident. She then seeks to uncover the truth by adapting the identity of an assassin to track down those responsible.

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What are people saying?

What are critics saying?

40

The Hollywood Reporter by Frank Scheck

Fortunately, there's Lively, adopting a convincing British accent, who almost, but not quite, manages to infuse the convoluted goings-on with enough gravitas to make them convincing.

25

Slant Magazine by Jake Cole

The film’s occasional gestures toward pseudo-feminist empowerment only compound the hollowness of its protagonist.

60

Empire by James Dyer

Lively’s steely heroine and a propulsive plot ensure you’re never bored, but this is a generic thriller from a simpler time, bulked up by a single strong performance.

50

Chicago Tribune by Michael Phillips

The movie is made well, if you’re buying what it’s selling, and if you don’t consider a story or a script as crucial to the quality of a thriller.

60

Screen Rant by Molly Freeman

The Rhythm Section is wonderfully acted by Blake Lively and immersively directed by Reed Morano, creating a tense and mostly engaging thriller.

60

The Guardian by Peter Bradshaw

The rapport between Law and Lively allows the movie both to relax and pick up the pace. Morano puts together good fight scenes, robust stunt work and tasty car chases. It’s destined to be viewed on a million long-haul flights, but it works perfectly well as a thriller.

38

Chicago Sun-Times by Richard Roeper

Despite a game performance by Lively, The Rhythm Section is a junk pile of missteps, from the convoluted screenplay that hops from locale to locale in Advil-inducing fashion to the overly stylized directing to the self-consciously “cool” oldies pop music selections.

63

Movie Nation by Roger Moore

The lyrics aren’t all that. But in an action film, it’s tempo that matters. The Rhythm Section never loses the beat.

20

TheWrap by William Bibbiani

The Rhythm Section takes well-worn genre material and removes all the substance and ingenuity, leaving behind only an undeveloped plot, a blank main character, and a sense of gravitas that is entirely unearned.

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