Christian Science Monitor by David Sterritt
The story matters less than the style, full of swooping camera movements, rapid-fire editing, and color-drenched displays of violence the Hong Kong school is famous for.
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Hong Kong · 2001
Rated R · 1h 42m
Director Johnnie To, Wai Ka-fai
Starring Andy Lau, Takashi Sorimachi, Simon Yam, Kelly Lin
Genre Action, Crime, Drama, Thriller
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Professional assassin O has resided in an isolated world of killing and loneliness. But his life begins to change once he meets the innocent Chin; hired to clean O's apartment. However, soon the flamboyent and reckless Tok enters Chin's life with a mission--to unveil O's identity and usurp his place as the number one sharp-shooting assassin in the game.
Christian Science Monitor by David Sterritt
The story matters less than the style, full of swooping camera movements, rapid-fire editing, and color-drenched displays of violence the Hong Kong school is famous for.
There's plenty to enjoy -- in no small part thanks to Lau.
High-octane plunge into pop gangster psychology.
Exciting, but not completely original.
The film is filled with the kind of choreographed carnage that became synonymous with Hong Kong action during the genre's heyday, but there's an elegiac self-consciousness to it all that acknowledges that while the best is behind us, there's still something to be said about its passing.
Los Angeles Times by Manohla Dargis
Style is content in action movies, but when all the style originates elsewhere, it's just plain lazy.
Seattle Post-Intelligencer by Sean Axmaker
Underworld opera of the bravura kind, this is driven, like most Hong Kong action, more by emotion than logic.
On the whole this is pretty standard shoot-‘em-up fare. Bang, crash, boom -- yawn.
Filmed with panache, wit, chic amorality, and an inexhaustible supply of Micro Uzi ammunition, ''Killer'' nevertheless represents a baroque dead end for the Hong Kong action genre.
The story won't win any prizes for coherence, but that doesn't much matter. As in most Hong Kong thrillers, it's the visuals - love those boldly choreographed shootouts! -- and moments of absurdity that count.
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