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Crocodile Dundee II

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Australia, United States · 1988
Rated PG · 1h 50m
Director John Cornell
Starring Paul Hogan, Linda Kozlowski, John Meillon, Ernie Dingo
Genre Adventure, Comedy

Australian outback expert protects his New York love from gangsters who've followed her down under.

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What are critics saying?

38

Slant Magazine by

The sequel exacerbates problems already too evident in the first movie, most painfully the near-total disposability of Kozlowski’s Sue, who spends most of the time reacting to Mick’s quirks with chuckles. No battle of wits, no rejoinders. Sue accepts Mick’s ways wholesale; there’s never any hint at a possible tension between their lifestyles.

63

Miami Herald by Bill Cosford

Croc, as played by the sinewy and appealing Paul Hogan, may be a fish out of water, but he's a formidable comic hero, a kind of Outback James Bond only less perturbable. And this sequel is actually a better film than the original, which was one of the movies' least likely success stories in 1986. [25 May 1988, p.D1]

37

Washington Post by Hal Hinson

The first Crocodile picture -- which went on to become the most profitable foreign film ever made -- wasn't great entertainment, but it was light, companionable and essentially inoffensive. Compared with the sequel, though, it looks like a masterpiece.

50

The New York Times by Janet Maslin

Crocodile Dundee II has been attractively photographed, if unremarkably directed, and it aims for affable, low-key escapism just as the first film did. But the earlier one had novelty to keep it going, and this time the novelty has begun to wear thin, even if Mr. Hogan remains generally irresistible.

70

Los Angeles Times by Kevin Thomas

Crocodile Dundee II is almost as much fun the second time around. As an adventure it's nothing special, yet it's an inspired and good-humored presentation of one of the freshest, most likable screen personalities to emerge in the past decade. [25 May 1988, p.1]

20

The Dissolve by Nathan Rabin

It is much less understandable, and not at all forgivable, that in eschewing the culture-clash comedy of the first film for generic action, the filmmakers forgot they were making a comedy at all.

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