Within its resolutely mainstream parameters, The Black Balloon courses with a firsthand feel for languorous Aussie summers, the shifting scales of love and hate in sibling relationships, and the earned wit that helps families cope with difficult situations.
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Chicago Reader by Andrea Gronvall
Cringe-inducing when it's not cliched, this brassy, vulgar 2008 comedy from Australia mines mental disabilities for laughs.
Entertainment Weekly by Lisa Schwarzbaum
Toni Collette gives it the old "Little Miss Sunshine" try in The Black Balloon as an edge-of-kooky, very pregnant mama presiding over a chaotic household.
Doesn't sugarcoat the difficulties faced by this family, but this small gem has a very satisfying ending.
Chicago Tribune by Michael Phillips
At its sharpest Elissa Down's feature directorial debut is guided by intense, rough-edged emotional swings that feel authentically alive, even when the script settles for tidiness.
Chicago Sun-Times by Roger Ebert
Luke Ford's performance as Charlie is a convincing tour de force. You may recall him as Brendan Fraser's heroic son in "The Mummy: Tomb of the Dragon Emperor." Rhys Wakefield, in his first feature role, is a good casting decision, suggesting inner turmoil without overacting.
The New York Times by Stephen Holden
Ms. Collette’s Maggie is the film's prime mover. This wonderful Australian actress, who hasn't a shred of vanity, virtually disappears into the complicated characters she plays, and Maggie is one of the strongest.