The pic benefits from a loveable-loser turn by Simon Pegg, but the "Shaun of the Dead" star's presence may also lead to disappointment for those familiar with his work.
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New York Magazine (Vulture) by David Edelstein
I wouldn’t believe that Run, Fat Boy, Run was co-written by Simon Pegg (of Shaun of the Dead and Hot Fuzz) if he weren’t up there on the screen in teeny briefs and with his gut stuck out, trying to endear himself to the American audience in material maybe a notch above Rob Schneider’s.
David Schwimmer's first bigscreen directing effort reveals something very different: a thoroughly competent mainstream craftsman who imposes no individual character on formulaic material.
The heretofore nothing-but-delightful Simon Pegg stumbles in the long-anticipated feature film directorial debut of -- ta-da! -- David Schwimmer, who takes the sow's ear of a script given him by Pegg and Michael Ian Black and deep-fries it into a burnt pork rind of a movie.
ReelViews by James Berardinelli
The result is tepid humor and a less-than-compelling feel-good story of redemption and re-kindled romance.
Austin Chronicle by Kimberley Jones
This British rom-com is all soft and plodgy, a by-the-numbers redemption tale that careens uncomfortably from sentimentality to stomach-turning sight gags.
Chicago Tribune by Michael Phillips
One of the problems with the new comedy Run, Fat Boy, Run is that it’s not English enough, even though its antagonist is a thoroughly detestable American go-getter.
Entertainment Weekly by Owen Gleiberman
Simon Pegg has what it takes, but he's saddled himself with a script (co-written by Pegg and Michael Ian Black) that Adam Sandler wouldn't have pulled out of his bottom drawer.
Rolling Stone by Peter Travers
Run, Fat Boy, Run stays out of sitcom quicksand long enough to make you think that Schwimmer has a knack for this comedy-directing thing.