A movie that forgoes solid storytelling for an atmosphere that keeps you captivated, director Jamie M. Dagg has made a film that plays with genres from neo-noir to thriller to even horror.
What are people saying?
What are critics saying?
The concepts Sweet Virginia explore through this setup — lives intersecting after a tragedy in a small town and a dangerous outsider tearing through a community — aren’t new for noir or westerns, but the understated, intense performances of Dagg’s cast make this slow burner a standout.
Sweet Virginia doesn’t have much of a point, as its characters are reductive variables in an inevitable equation of carnage.
The film is gripping from start to finish, even when so much of its menace rings hollow.
The movie is well put together, enough so that if you’re not entirely tired of its clichés, it might constitute a tolerable entertainment. I’d rather watch “Double Indemnity” for the 15th time.
ReelViews by James Berardinelli
As with most slow-burn neo-noir movies, Sweet Virginia thrives on atmosphere. It oozes it from every frame.
The New York Times by Jeannette Catsoulis
A twisty, small-town thriller that blooms in the shadows and shies from the light, “Sweet Virginia” marshals a relentlessly threatening mood from dangerous secrets and unpleasant surprises.
Los Angeles Times by Noel Murray
Dagg (who previously made the very good chase picture “River”) tries too hard to give the material a highbrow frame. The movie is dimly lighted and hushed to a fault. But the China brothers’ script is strong, and Dagg elicits terrific performances from Abbott, Bernthal and Poots.
It’s this strange alchemy — the way that a terse script can leave so much unsaid, combined with such a talented ensemble’s ability to suggest all the details left either in silence or in darkness — that makes “Sweet Virginia” such a haunting character study.
The Hollywood Reporter by Sheri Linden
What director Jamie M. Dagg achieves with his slow burn of a second feature is a total immersion in end-of-the-line atmosphere, with four superb central performances bringing archetypal intrigue to life.