The Playlist by Bradley Warren
Though undeniably watchable...Mateo Gil’s film fails to rise above the well-trodden genre film language nor does it meaningfully contribute to its central existential questions on mortality .
✭ ✭ ✭ Read critic reviews
Belgium, Spain, France · 2016
1h 52m
Director Mateo Gil
Starring Tom Hughes, Charlotte Le Bon, Oona Chaplin, Barry Ward
Genre Science Fiction
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Marc, an ambitious man, is diagnosed with terminal cancer and is given a few months to live. Unable to accept death, he decides to cryogenically freeze himself. Seventy years later, Marc becomes the first cryogenic resuscitated person in history -- but it doesn't happen in the idealized way he dreamt of.
The Playlist by Bradley Warren
Though undeniably watchable...Mateo Gil’s film fails to rise above the well-trodden genre film language nor does it meaningfully contribute to its central existential questions on mortality .
Realive ultimately aims to be all about matters of the heart, and in that realm Gil’s imagination proves disappointingly limited.
The Film Stage by Jared Mobarak
This is a film of philosophical rumination as its hopeful characters find themselves living in an imperfect world of their own creation.
The Hollywood Reporter by Jordan Mintzer
This stylish chamber piece plays like a cross between Ex Machina and The Tree of Life, mixing a cleverly conceived biotechnical fable with sun-dappled sentimentalism that doesn’t always resonate like it should.
The New York Times by Ken Jaworowski
Like a “Black Mirror” episode combined with a philosophy seminar, Realive has plenty of brains. Yet it has a heart, too, and that adds a surprising amount of emotion to this above-average science-fiction film.
Screen International by Kim Newman
Well-acted, it lacks the standout performances or star presences which propelled the tonally-similar Ex Machina to more than cult success. While it will play to fans of cerebral science fiction, it may be less grabby for general audiences.
Los Angeles Times by Kimber Myers
Unfortunately, the movie’s over-dependence on voice-over and its overwritten script interfere with the audience being able to fully engage.
The movie is inescapably lifelessness, unintentionally dumbing itself down while desperately hoping to be profound.
Realive’s greatest strength is that it takes its premise so seriously, engaging with its moral and spiritual questions.
Technically spare and smart, fascinating in the dilemma it wrestles with, Realive is, in the end, too chilly to warm up to.
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