80
The New York Times by A.O. Scott
An incisive drama about a waking nightmare.
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What are people saying?
What are critics saying?
75
Christian Science Monitor by David Sterritt
This is only Ustaoglu's second film, but smart performances and expressive camera work mark her as a talent to watch in the future.
60
Ustaoglu has made Mehmet unbelievably naive -- and the hardships piled upon him unintentionally evoke "The Perils of Pauline." That dilutes what should be a powerful protest film, and robs it of the emotional impact it aims for.
75
New York Daily News by Jami Bernard
A remarkable second feature from writer-director Yesim Ustaoglu.
75
Chicago Tribune by John Petrakis
Though the final journey drags at times, the early expository scenes in the shadows of Saint Sophia and assorted mosques are impressive and quite moving.
63
New York Post by Jonathan Foreman
Takes you on a fascinating and picturesque journey into a relatively unfamiliar culture.
70
Fictional but frighteningly realistic.
80
Los Angeles Times by Kevin Thomas
Sensitive, gritty and courageous, this film gathers a power and focus not foreshadowed in its deliberately rambling earlier sequences.
80
A remarkably vivid portrait of a teeming third-world metropolis
80
New Times (L.A.) by Luke Y. Thompson
Ustaoglu has pulled off a rare feat in this film, enlightening us about a horrible situation while never losing sight of his central tale of friendship and loyalty.