✭ ✭ ✭ ✭ Read critic reviews
France, Belgium · 2015
1h 40m
Director Clément Cogitore
Starring Jérémie Renier, Swann Arlaud, Kevin Azais, Marc Robert
Genre Drama, Fantasy, War
Please login to add films to your watchlist.
Afghanistan 2014. As the withdrawal of troops approaches, Captain Antarès Bonassieu and his squad have been assigned a surveillance mission in a remote valley of Wakhan, on the border of Pakistan. Despite Antarès and his men’s determination, control of the secluded valley will slowly fall out of their hands. One dark night, soldiers begin to mysteriously disappear in the valley.
While he may indulge in the occasional programmatic jump scare, writer-director Clément Cogitore ultimately heaves his debut feature closer to the realm of psychological terror, understanding that there's nothing more frightening or darker than the human mind.
The New York Times by A.O. Scott
On the most fundamental level, Neither Heaven Nor Earth is an impressive stunt, a horror movie masquerading as a film about the horrors of war. But its gravity and intelligence...make it something more.
New York Post by Farran Smith Nehme
Making elegant use of the austere landscape and the rugged features of star Jérémie Renier, the film shows how these doggedly practical and nonspiritual men cope with the eerie events, the cause of which is hinted at but never fully explained.
The ensemble commits to the premise with utmost gravity and conviction, enabling our belief in even the most improbable interpretations of its core enigma.
Neither Heaven Nor Earth transports you to a world where you believe anything could happen because it effectively paints wartime life so closely to supernatural terror. War may quite literally be hell.
The Wakhan Front's script is finely-balanced, allowing the possibly supernatural to slowly impinge without resorting to genre clichés.
Screen International by Jonathan Romney
This debut feature by French director Clément Cogitore has a highly suggestive philosophical agenda, but at the same time functions as a gripping, subtly eerie drama which keeps you guessing even while it maintains its supernatural (or theological) undertow simmering beneath the surface.
The Hollywood Reporter by Jordan Mintzer
Combining the mystical and the military in ways that can seem fresh compared to other recent war flicks, this feature debut from writer-director Clement Cogitore could nonetheless use some more adrenaline to make its premise work.
Village Voice by Melissa Anderson
Cogitore's movie is at once otherworldly and firmly tethered to stark reality.
The A.V. Club by Mike D'Angelo
This virtually action-free war movie (which premiered at Cannes last year with the English-language title The Wakhan Front) will frustrate anyone seeking concrete explanations. Its haunting atmosphere, however, in conjunction with its half-harrowing, half-sleepy milieu, keeps the film fascinating until it finally fizzles.
A vivid display of conflict between passion and art.
It's never too late for vengeance.
Mothers. Daughters. Rebels.
Is it better to speak or die?
A young woman finds out there is more to her lover than meets the eye.
Birth and death are extraordinary experiences. Life is a fleeting pleasure.