Half Moon(نیوه مانگ)

Village Voice by

Writer-director Bahman Ghobadi's picturesque road trip is less about preserving a musical heritage than accepting one's fate, a mythic trek that's both heartrending and boisterous--often as hauntingly absurdist as a Kusturica carnival.

Chicago Reader by Andrea Gronvall

The suspicion and contempt the band encounters along the way symbolize the Kurds' historical sufferings, but the movie has many comic moments courtesy of the eager bus driver, who keeps putting his foot in his mouth. The nonprofessional cast is highly persuasive under the sure hand of director Bahman Ghobadi (A Time for Drunken Horses).

Empire by David Parkinson

An unflinching and affecting depiction of the region’s tragic lunacies.

The New York Times by Jeannette Catsoulis

Fateful and funny, haunting and magical.

Wall Street Journal by Joe Morgenstern

This is a road movie unlike any other, the comical and mystical odyssey of old Mamo (an extraordinary performance by Ismail Ghaffari), a venerated musician who heads for Iraq from exile in Kurdish Iran with a busload of his musician sons to give a concert after Saddam's fall.

The Hollywood Reporter by Kirk Honeycutt

Ghobadi always uses non-pro actors but you would never know. In fact, professionals wouldn't do theses roles justice since the recruited performers are partly playing themselves and partly playing people Ghobadi has known since he was a boy.

L.A. Weekly by Scott Foundas

In a boom time for movies about the scars of the battlefield, Half Moon reminds that the unending strife and religious fundamentalism of the Middle East kills not just people but culture too.

New York Post by V.A. Musetto

By terms moving and funny, the story reaches its apex when Half Moon, a beautiful young woman played by Golshifteh Farahani, makes her appearance from out of nowhere. Is she real, or perhaps an angel? You'll have fun trying to come up with an answer.