An encouraging set-up soon descends into a grubby muddle, leaving you wishing you were just rewatching "The Name Of The Rose" instead.
What are people saying?
What are critics saying?
Black Death embraces its horror roots with ample bloodshed, at which point the silly costumes and anachronistic dialogue no longer seem so absurd.
The New York Times by Jeannette Catsoulis
Here, excessive piety and rampant paganism are equally malevolent forces, the film's baleful view of human nature mirrored in Sebastian Edschmid's swampy photography. As is emphasized in a nicely consistent coda, the Lord's side and the right side are not necessarily one and the same.
With unexpected supernatural restraint, the movie approaches a religious parable; am I being unfair in wishing it had a touch more apocalyptic hysteria to it?
The Hollywood Reporter by Kirk Honeycutt
Horror film buffs like to giggle as much as scream but there're no giggles here.
While managing to deliver enough suspense and bloodletting to appease gore fans, steadily improving helmer Christopher Smith ("Severance") and screenwriter Dario Poloni smuggle in a merciless critique of religious delusion.
Though deadly serious, Christopher Smith's European-made bubonic- plague melodrama provides good value with lots of blood and guts, as well as a solid cast.
Black Death bears some similarities to a zombie movie in the way the plague inevitably overtakes the populace, and it also has one foot in the "creepy community" genre, alongside films like "The Wicker Man" and "Two Thousand Maniacs!"
Christian Science Monitor by Peter Rainer
A moderately creepy, often garishly violent action horror film frontloaded with heretics, Christians, mercenaries, witches, witch-burners, and necromancers. There's something here for just about everyone.