Imagines Heaven and Hell as places so deeply mired in the business-as-usual hassles of earthly life that the battle between good and evil becomes a downright dull affair.
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What are people saying?
What are critics saying?
The New York Times by Dave Kehr
An unfocused, overplotted, painfully derivative comic fantasy.
New York Daily News by Jami Bernard
A stylish comedy low on amusement but high on sensuality.
This must all make sense to Yanes, somehow, but the film plays like a private joke with no punchline.
It's hard to care even just a little when you have no idea what's at stake or why, be it Heaven or Hell.
Portland Oregonian by Kim Morgan
Short on both life and laughs.
What starts as a fairly lighthearted satire ends in a tiresome, ultra-violent shootout -- and the film pretty much throws away the possibilities of Cruz's gender-bending role.
Dallas Observer by Robert Wilonsky
Bernal can't decide if he's making a Tarantino homage or an Almodovar riff or an Albert Brooks tribute...and the wobbly sensibility finally knocks the movie's legs out from beneath it altogether.
The color-coded cinematography is nice but the jokes are obvious and the dialogue drags whenever metaphysics gets brought up.