Cold Comfort Farm

Austin Chronicle by

Together the cast, the director, and the screenwriter work to make the characters off-centered but realistic, with plenty of room for warmth.

San Francisco Examiner by Barbara Shulgasser

In the attempt to rein in a cast playing a great assortment of exaggerated types, Schlesinger (who directed "Midnight Cowboy" and "Marathon Man" ) and Bradbury sometimes lose the tone of the movie.

Washington Post by Desson Thomson

Thanks to Schlesinger's exacting direction and Malcolm Bradbury's witty, restrained script, these characters are kept more amusing than horribly pitiable.

San Francisco Chronicle by Edward Guthmann

Cold Comfort Farm may be hysterically funny to regular readers of Hardy, Lawrence, Jane Austen and the Bronte sisters, but it won't ring many bells for the rest of us.

Washington Post by Hal Hinson

The filmmakers have done a beautiful job of preserving the satirical snap of Gibbons's original. But the real joy of Cold Comfort Farm is watching these actors play so freely and exuberantly off each other.

ReelViews by James Berardinelli

There's nothing deep or meaningful to be unearthed in this feel-good comedy, but it nevertheless makes for solid entertainment.

The New York Times by Janet Maslin

Mr. Schlesinger draws lively performances out of his cast and surprising variety out of the film's secondary sights, which range from a gala soiree to a heap of steaming dung.

Chicago Reader by Jonathan Rosenbaum

I've never read Stella Gibbons's popular English novel of 1932--a parody of the romantic rural novels that Mary Webb wrote during the 20s--but director John Schlesinger and adapter Malcolm Bradbury have gotten plenty of enjoyable mileage out of it.

Los Angeles Times by Kevin Thomas

It's been brought to the screen by director John Schlesinger and writer Malcolm Bradbury with such deftness, giving it a life of its own, that it's not necessary for audiences to be familiar with the literature it satirizes.

Chicago Sun-Times by Roger Ebert

The movie, based on the famous comic novel by Stella Gibbons, is dour, eccentric and very funny, and depends on the British gift for treating madness as good common sense.