Mr. Morgan's Last Love

Time Out by

Though there are some small, beautiful moments in Nettelbeck’s drama, Last Love as a whole feels like it’s been dosed with Xanax.

The Hollywood Reporter by Boyd van Hoeij

The main problem of Mr. Morgan’s Last Love is a structural one, as it is really two films in one.

New York Daily News by Elizabeth Weitzman

Not much happens in Sandra Nettelbeck’s intimate family drama, but its well-drawn connections between lonely souls make an impact nonetheless.

Los Angeles Times by Inkoo Kang

This somber work about the worthiness of living has little life in it.

The A.V. Club by Mike D'Angelo

Unfortunately, Nettelbeck also strives to make Last Love a genuinely complex drama rooted in recognizable human behavior, and fails utterly in that effort.

Village Voice by Nick Schager

Scene after scene is defined by blunt exposition and gooey maxims, not to mention cornball visual metaphors.

Observer by Rex Reed

It’s a real pleasure to share some quality time with Mr. Caine as an old man wise enough to know there’s rarely any such thing as a second time around but brave enough to take a chance anyway. But the writing and direction by Sandra Nettelbeck barely support his forceful presence.

Variety by Scott Foundas

Last Love sticks to a flaccid middle ground lacking any real drama or pathos.

The New York Times by Stephen Holden

This dull, dawdling film, adapted from Françoise Dorner’s novel “La Douceur Assassine,” eventually succumbs to sentimentality.

The Dissolve by William Goss

Last Love hardly presents itself as a challenging picture, tugging as it does at the heartstrings with gentle persistence, but at its best moments, it is a sweetly considered one.