Fay Grim

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Fans of "Henry Fool" in particular, however, may dislike the complete disregard for the characters of the original film. But the most fervent of Hartley followers can praise the film as a brilliant deconstruction of the tacked-on cinematic sequel.

The New Yorker by Anthony Lane

What happens, though, and what lures the film into disaster, is that Hartley lets slip his sense of humor (always his strongest asset) and begins to believe his own plot.

New York Magazine (Vulture) by David Edelstein

It's a rich idea -- a Hartley-esque variation on the theme of American Innocents Abroad. And it works superbly until -- well, Grim's the word.

Washington Post by Desson Thomson

The trouble is, this is Hartley all over again. What seemed cutting edge and sharp in the 1990s -- the smart-alecky references to obscure filmmakers (Werner Herzog, Andrei Konchalovsky), the self-mocking tone in the actors' voices, the overall sense that this movie is subverting itself -- feels rehashed and old.

Village Voice by J. Hoberman

As "Henry Fool's" belated sequel, Fay Grim seems nearly an act of desperation.

The Hollywood Reporter by Michael Rechtshaffen

Hartley's kooky cosmopolitan caper can never be accused of slumming, but the shift from dry, offbeat wit to politically charged drama is a little jarring, to say the least; it's a bit like taking in Woody Allen's "Annie Hall" and having it morph mid-way through into "Shadows and Fog."

Chicago Tribune by Michael Wilmington

Strikes me as something of an elaborate mistake, a wasted opportunity and a script Hartley should have discarded. But I liked it anyway.

Entertainment Weekly by Owen Gleiberman

The faux espionage plot, with its winks at terrorism, is really just a convoluted plea for the relevance of precious indie artistes (i.e., Hal Hartley).

Christian Science Monitor by Peter Rainer

Hartley is very adept with actors, though – or at least some of them. Posey, for her part, displays a pert quizzical quality that's very charming and very funny. And Goldblum is tailor-made for Hartley's minimalist patter.

Variety by Todd McCarthy

A strange international odyssey that becomes more complicated and loony by the moment. Some viewers will undoubtedly tune out early, others will follow as far as they can -- and a privileged few might make it all the way.