My Best Fiend(Mein liebster Feind)

The New York Times by

Serves as an eloquent coda to their unforgettable creative partnership.

Baltimore Sun by Ann Hornaday

Absorbing, artfully executed.

Village Voice by J. Hoberman

A first-person doc assembled largely from footage taken in the course of the five features they made, being madmen together.

Film.com by John Hartl

The evidence Herzog serves up is impossible to dismiss.

TV Guide Magazine by Maitland McDonagh

Hugely entertaining.

Austin Chronicle by Marc Savlov

Like a car crash in slo-mo, it's a riveting, beautiful mess.

San Francisco Chronicle by Peter Stack

One of the great portraits of artists fighting, even with murderous rage, to reach the sublime.

Time by Richard Corliss

This documentary, a gallivanting time trip through a bolder film era, is Herzog's final collaboration with Kinski: an act of love and exorcism.

Chicago Sun-Times by Roger Ebert

About two men who both wanted to be dominant, who both had all the answers, who were inseparably bound together in love and hate, and who created extraordinary work--while all the time each resented the other's contribution.