Wet Woman in the Wind(風に濡れた女)

Slant Magazine by Chuck Bowen

Akihiko Shiota's sketch-like scenes have an eccentric and volatile intensity, as the filmmaker stages subtly theoretical moments that still allow for spontaneity.

The New York Times by Glenn Kenny

Genre homage or not, trashy, assault-coddling sexism is a turn off — and worse. Perhaps the “roman porno” reboot project should have rebooted its sexual politics before calling “action!”

Screen International by Jonathan Romney

The sheer energy of the performers, especially an exuberantly funny Mamiya, and the slapstick goofiness of the whole make this an eccentric, hugely enjoyable film - and often, partly because of its relative demureness, a fairly arousing one, with female pleasure and male discomfiture foremost on the menu.

The Hollywood Reporter by Neil Young

Belly-laughs are duly reaped courtesy of the game ensemble, who throw themselves into proceedings with suitable brio — egged on by Shunsuke Kida's infectious, percussively jaunty-jazzy score — while Shiota's screenplay is good for intermittent belly-laughs before dribbling away somewhat post-climax.