Sidney Hayers shoots the whole thing with an almost Wellesian flourish, and the script (by Charles Beaumont and Richard Matheson) is structured with incredible tightness as the sane, rational outlook of the hero (Wyngarde) is gradually dislocated by the world of madness and dreams.
What are people saying?
What are critics saying?
70
70
Chicago Reader by Jonathan Rosenbaum
Director Sidney Hayes can be needlessly rhetorical at times, relying on a campus statue of an eagle to create a sense of menace (the UK title was Night of the Eagle), but this is still eerily effective.
75
Chicago Tribune by Michael Wilmington
A smart shocker, scripted by Twilight Zone regulars Richard Matheson and Charles Beaumont.