Backcountry | Telescope Film
Backcountry

Backcountry

Critic Rating

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User Rating

Based on a terrifying true story, Backwater follows a couple who get lost on a hike in the Canadian wilderness. With no way of contacting civilization, their weekend getaway turns into a fight for survival as a man-eating black bear stalks them through the woods.

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What are critics saying?

75

The Globe and Mail (Toronto) by Geoff Pevere

Fear is the anticipation of horror, and it’s this movie’s prime evil: not what happens inside the tent, but what might be making that noise outside.

70

New York Magazine (Vulture) by Bilge Ebiri

While there is some gore late in the film, what makes Backcountry special is the care and patience it invests in its characters and the quiet, haunting tension of its story line.

70

Salon by Andrew O'Hehir

Another way of reading a movie like this is that it channels our ancient hatred of nature while recognizing that it’s essentially nostalgic, and that the occasional hungry ursine cannot compete with the animal we really have reason to fear.

70

The Dissolve by Charles Bramesco

[A] solid, well-executed testament to the horrors of the great outdoors.

70

The Hollywood Reporter by Justin Lowe

Solid performances from the small cast and robust visuals will be clear selling points with audiences seeking the raw excitement of an elemental survival film.

70

Variety by Scott Foundas

MacDonald has seen enough horror movies of varying kinds to know what audiences expect, and one of the pleasures of Backcountry is how skillfully it toys with those expectations, setting us up for something like a Mumblecore “Straw Dogs” and ending up somewhere closer to a landlocked “Jaws.”

70

Los Angeles Times by Robert Abele

Backcountry inevitably brings on the bloody, but it finds atmospheric ways to depict how the bucolic hush of a nature getaway can morph into a survival nightmare for the unprepared.

67

The A.V. Club

Without effective characterization to drive the moments in between, the spectacle of humans painfully, extensively, gratuitously suffering for their arrogance is more sadistic than thrilling.

67

The A.V. Club by Katie Rife

Without effective characterization to drive the moments in between, the spectacle of humans painfully, extensively, gratuitously suffering for their arrogance is more sadistic than thrilling.

63

RogerEbert.com by Glenn Kenny

It’s all pretty effective but in the end, somehow empty. Not to make an unfair comparison to a classic, but the movie “Deliverance” actually followed through on all of the themes that its storyline suggested, while in Backcountry, we end up with a storyline in which all but the most elemental stuff winds up as window dressing.

63

Slant Magazine by Chuck Bowen

After a surprising development, the film grows slack and sentimental, reverting to the survival-movie platitude about hardship making you a better human.

60

New York Daily News by Joe Neumaier

Just when you thought it was safe to stand up to a bear in the woods, this jarring indie horror drama will make you scurry back indoors.

50

The New York Times by Manohla Dargis

Mr. MacDonald’s ability to notch up dread moment by moment — with a rustle of leaves, the snap of a twig — is all the more impressive given that it takes a while to warm up to the two souls he cuts loose in those woods.

50

Village Voice by Nick Schager

Writer-director Adam MacDonald's direction creates an ominous sense of rural-nowhere isolation, and his script avoids contrived banter while shrewdly suggesting it's headed toward horror before unexpectedly veering into survival-story territory. Nonetheless, such misdirection can't compensate for hopelessly routine action.