Total Film by Jamie Graham

Sure, the core tale of personal redemption is standard stuff but Zak Hilditch’s breathless, batshit-crazy thriller tears through orgies, mass suicides and murderous rampages to conclude on a scene as moving and terrifying as the climax of Melancholia. Hold on tight.

Empire by Kim Newman

So many films address the premise because it’s always thought-provoking and affecting. This also has a bleached, depopulated, effectively catastrophe-struck feel and an intriguing adult-and-child road movie storyline.

Los Angeles Times by Gary Goldstein

Writer-director Zak Hilditch, with a strong assist from cinematographer Bonnie Elliott (who's bathed her frames in a kind of eerie sulfuric yellow), has crafted an urgent yet strangely simple and humanistic doomsday scenario.

Time Out London by Tom Huddleston

It takes a while to find its focus – and takes itself just a little too seriously – but as low-budget Ozploitation goes, it’s snappy and effective.

The New York Times by Neil Genzlinger

The lesson may not be particularly original, but the film has some striking moments as it follows him to his destiny.

The Dissolve by Mike D'Angelo

There’s a sentimental streak to These Final Hours, but in the end (heh), it feels as if it’s been earned.

Village Voice by Danny King

Hilditch's approach to this end-of-days scenario can be heavy-handed... But Hilditch gets good mileage out of his cast.

The A.V. Club

Incoherent and pointless as it is, These Final Hours moves with commendable swiftness.

The A.V. Club by Vadim Rizov

Incoherent and pointless as it is, These Final Hours moves with commendable swiftness.

RogerEbert.com by Peter Sobczynski

While it does have a few things of interest going for it, this low-budget effort ends up arriving at its necessarily predictable conclusion in too many unnecessarily predictable ways.