Time by Stephanie Zacharek

It’s a picture that stands strong on the side of art, of history, of working to solve the puzzle of things that maybe at first you don’t fully understand. It’s both a shout of joy and a call to arms. It’s all about the bold, muscular act of caring.

Variety by Owen Gleiberman

The film reminds you that the real salvation of cinema will always come from those who understand that making a movie should be a magic trick good enough to fool the magician himself into believing it.

The Travers Take by Peter Travers

You don’t need to know a thing about Jean Luc Godard’s 'Breathless' and the New Wave to accept Richard Linklater’s invitation to participate in the sweet agony and ecstasy of their creation. No true movie lover would dream of missing it.

Wall Street Journal by Kyle Smith

Sly, wry, adorable and deplorable, Guillaume Marbeck is priceless as the endlessly irritating and yet frustratingly charismatic Godard in one of the year’s brightest pictures, a rare standout in a sea of multiplex mediocrity.

Original-Cin by Liam Lacey

It’s an affectionate, meticulously constructed look back on a moment in cinema history that takes nothing away from the original masterpiece and may even lead a few souls to it.

The New York Times by Manohla Dargis

Watching it again, I recognized that Linklater’s film is itself an expression of a certain approach — a consciousness — toward cinema’s pleasures and possibilities, one that at once embraces the art’s past and insists on its future.

Los Angeles Times by Amy Nicholson

Now that Linklater has ascended to the establishment, he’s encouraging cinema’s future by turning to its inspirational past with Nouvelle Vague, the lively story of how Godard (Guillaume Marbeck) directed Breathless with a tiny bit of cash and a ton of ego. It’s the origin story of Godard, and, in a way, of himself. Even more importantly, it’s a manual for what Linklater hopes will be a fresh wave of talent storming the shore any minute. (I’m counting on it.)

Collider by Jason Gorber

There’s so much joy in this telling, so much sophistication of craft on display, and such a delightful ode to this exemplary era of creativity, that it seems downright churlish to hold back for the sake of performative reticence.

Austin Chronicle by Richard Whittaker

It’s arguably Linklater’s best use of an ensemble – and that’s saying something. But great as each individual performance is, and broad as Linklater pulls his aspect ratio, Nouvelle Vague is really a close-up on Godard.

Washington Post by Michael Andor Brodeur

Richard Linklater’s “Nouvelle Vague” — an uncanny homage to French New Wave master Jean-Luc Godard and, specifically, the making of his 1960 breakthrough, “Breathless” — balances its fervor with a stunning cinematic undertaking. Put simply, lovers of “Breathless” will be left so.