San Francisco Chronicle by Cary Darling

This character study, which was nominated for two BAFTA Awards, including outstanding British film of the year, is Sharrock’s second full-length feature. That he could make a film so warm and wise early in his career bodes well for whatever comes next.

Los Angeles Times by Carlos Aguilar

An offbeat and life-affirming triumph, “Limbo” is the kind of original work of art that moves the needle on an issue by interrogating the human factor rather than hanging out on the impersonal surface. A movie born of our times but destined to outlive them, it deserves to cross the threshold from festival darling to audience favorite.

The Irish Times by Donald Clarke

This is a wonderful comedy that savours its remote environment while keeping its subjects at the centre of the story. There are always new ways of telling the era’s most unavoidable sad stories. Not to be missed.

TheWrap by Alonso Duralde

It handles real-life issues from a place of real compassion and understanding without reducing its characters to mere metaphor.

The Playlist by Marshall Shaffer

Deadpan has never crackled with such life as it does in this miraculous movie, a stunning synergy of story and style to which all films tackling sensitive social situations should aspire.

The New York Times by Glenn Kenny

Limbo, written and directed by a ferociously talented filmmaker, Ben Sharrock, takes an insinuating, poetic and often wryly funny approach. And it’s both heartbreaking and heartlifting.

Time by Stephanie Zacharek

Limbo, tender and searching, shows what can happen to people when they’re between points A and B, a nowheresville that can change the shape of a life forever. It’s also about the meaning of musicianship, of how songs and sound can define who we are and where we come from.

Austin Chronicle by Matthew Monagle

Limbo may be a smiling teardown of any society that actively facilitates the deportation of its most vulnerable inhabitants, but there’s a wildness in the film’s eyes – a darkness Sharrock only feels comfortable approaching through artifice and sentimentality – that betrays the political message underneath.