Tampa Bay Times by Steve Persall
Kaur and Khan, who was robbed of a IIFA nod, scarcely share a frame of The Lunchbox, yet the emotional connection of their characters is palpable.
Critic Rating
(read reviews)User Rating
Director
Ritesh Batra
Cast
Irrfan Khan,
Nimrat Kaur,
Nawazuddin Siddiqui,
Lillete Dubey,
Nakul Vaid,
Bharati Achrekar
Genre
Drama,
Romance
A mistaken delivery in Mumbai's famously efficient lunchbox delivery system connects a young housewife to a stranger in the dusk of his life. They build a fantasy world together through notes in the lunchbox. Gradually, this fantasy threatens to overwhelm their reality.
Tampa Bay Times by Steve Persall
Kaur and Khan, who was robbed of a IIFA nod, scarcely share a frame of The Lunchbox, yet the emotional connection of their characters is palpable.
Los Angeles Times by Kenneth Turan
One thing that makes Lunchbox so strong is that a touch of melancholy hangs over its sweetness. Finally this is a film about the wheel of life, about what helps us cope with its turns and find our way in its unforgiving labyrinth.
McClatchy-Tribune News Service by Roger Moore
It’s an intimate, quiet and slow-paced romance, a simple, richly rewarding movie in the classic style of India’s greatest filmmaker, the late Satyajit Ray.
Chicago Sun-Times by Mary Houlihan
The Lunchbox,” Indian director Ritesh Batra’s debut, is a witty and perceptive film that reveals the hopes, sorrows and regrets of ordinary people.
Boston Globe by Ty Burr
The Lunchbox isn’t an example of bravura moviemaking or cutting-edge style but simply a tale told with intelligence, restraint, and respect.
Christian Science Monitor by Peter Rainer
The Lunchbox, the debut feature from Indian director Ritesh Batra, has such a sweet premise that I sincerely hope it doesn’t get remade with Tom Hanks and Meg Ryan.
Portland Oregonian by Marc Mohan
A crowd-pleasing import that would leave only the most steadfast curmudgeon unmoved.
The Dissolve by Noel Murray
Going strictly by plot description, Ritesh Batra’s The Lunchbox sounds a little like an Indian knock-off of a Nicholas Sparks movie, but it plays out more like Brief Encounter.
Variety by Jay Weissberg
Batra adeptly plays on the tension of will they or won’t they meet, making good decisions based on character and situation rather than the need to uplift an audience.
Wall Street Journal by Joe Morgenstern
Wonderfully fresh and affecting fable from India.
Slant Magazine by Nick McCarthy
The patience in mercurially presenting the characters' backstories and desires is matched by the film's genuine curiosity about the healing power of sharing stories.
The Playlist by Kevin Jagernauth
Batra's film is ultimately less about love than about the vulnerability relationships place us in emotionally, and courage required to move past pain, and experience life again after we've been hurt.
Village Voice by Jon Frosch
Batra isn't ambitious with the visuals, but he creates an effective, unfussy sense of urban space, both indoor (cramped apartments, crowded buses) and outdoor (even leafy residential streets seem to be swarming with playing children).
The Hollywood Reporter by Deborah Young
What is most endearing is the delicacy with which writer-director Ritesh Batra reveals the hopes, sorrows, regrets and fears of everyday people without any sign of condescension or narrative trickery.
Film.com by William Goss
This long-distance love story is comfort food in any language, perfectly agreeable and unlikely to surprise.
The A.V. Club by Ben Kenigsberg
The Lunchbox ultimately registers as a too-hesitant portrayal of hesitancy, and its pleasures are largely incidental.
New York Post by Kyle Smith
A clever setup that harkens back to “You’ve Got Mail” and “The Shop Around the Corner” doesn’t quite pay off in India’s warm-hearted comedy-drama The Lunchbox.
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