Collider by Jeff Ewing

The film captures the reality of an abundantly free, but unguarded childhood well, and the resultant dreamlike quality of certain scenes is thoroughly engaging. It's absolutely a journey to watch.

The Guardian by Leslie Felperin

Like an unusually designed coat featuring quirky details and an interesting fabric choice from a young designer’s first collection, Swedish writer-director Mika Gustafson’s feature debut has raw edges and some sloppy stitching in places, but the whole is fresh, directional and beautifully cut.

Film Threat by Ethan Padgett

Gustafson gets great performances from her leads, yet the main storyline is not given a succinct resolution.

Little White Lies by Grace Dodd

Chaotic and intimate, Gustafson captures the balancing act of sisterhood which at once encompasses brutality and tenderness.

The Observer (UK) by Wendy Ide

Not everything works in Mika Gustafson’s feature debut, but the performances, in particular that of the magnetic Delbravo, have an unpredictable, wayward energy. And the restless, hungry gaze of the camera captures the savage love and joyous freedom that unites the girls.

The Irish Times by Donald Clarke

Though immaculately made in every respect, Paradise Is Burning never quite finds its narrative rhythms. The story is happily fussing over here and then gets distracted by something over there. But Sine Vadstrup Brooker’s lovely cinematography, drifting in the liminal spaces between city and country, keeps the viewer uneasily gripped throughout.