Mary and Max | Telescope Film
Mary and Max

Mary and Max

Critic Rating

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User Rating

In the mid-70's, a homely, friendless Australian girl of 8 picks a name out of a Manhattan phone book and writes to him; she includes a chocolate bar. He writes back, with chocolate. Thus begins a 20-year correspondence. Will the two ever meet face to face?

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What are critics saying?

100

CineVue

Elliot explores the film’s central themes of loneliness, mental illness, love and friendship, all with a deft balance of humour, sadness and subtlety.

100

CineVue by Daniel Gumble

Elliot explores the film’s central themes of loneliness, mental illness, love and friendship, all with a deft balance of humour, sadness and subtlety.

90

Los Angeles Times by Kevin Thomas

Mary and Max’s jauntiness fades into a sadness that culminates on a note of self-acceptance -- and a great gratitude for the sustaining, redemptive power of friendship.

80

The Telegraph by Tim Robey

Elliot is a talent eccentric enough to make Nick Park look like an office drone, and the serious sadness underpinning his vision only makes the humour work better.

80

Empire

Tackling such un-animation topics as loneliness, body image, alcoholism, suicide and Asperger’s syndrome, it’s quirky, compassionate and slightly seedily sweet.

80

Empire by Dan Parkinson

Tackling such un-animation topics as loneliness, body image, alcoholism, suicide and Asperger’s syndrome, it’s quirky, compassionate and slightly seedily sweet.

70

Screen Daily

Both characters are endearingly freakish to look at, yet Eliot’s skill is to infuse them with such vulnerable tendencies and believable characteristics as to render them immediately human.

70

Screen Daily by Mike Goodridge

Both characters are endearingly freakish to look at, yet Eliot’s skill is to infuse them with such vulnerable tendencies and believable characteristics as to render them immediately human.

60

The Guardian by Andrew Pulver

You have to admire the ambition, even if Elliot doesn't always seem certain if he's laughing with or at his creations.

50

Variety by Justin Chang

Has its share of deadpan amusements, but its combo of mordant whimsy and tearjerker moments winds up curdling in an unappetizing fashion.