CineVue
Elliot explores the film’s central themes of loneliness, mental illness, love and friendship, all with a deft balance of humour, sadness and subtlety.
Critic Rating
(read reviews)User Rating
Director
Adam Elliot
Cast
Toni Collette,
Philip Seymour Hoffman,
Eric Bana,
Barry Humphries,
Bethany Whitmore,
Renée Geyer
Genre
Animation,
Comedy,
Drama
In the mid-70's, a homely, friendless Australian girl of 8 picks a name out of a Manhattan phone book and writes to him; she includes a chocolate bar. He writes back, with chocolate. Thus begins a 20-year correspondence. Will the two ever meet face to face?
CineVue
Elliot explores the film’s central themes of loneliness, mental illness, love and friendship, all with a deft balance of humour, sadness and subtlety.
CineVue by Daniel Gumble
Elliot explores the film’s central themes of loneliness, mental illness, love and friendship, all with a deft balance of humour, sadness and subtlety.
Los Angeles Times by Kevin Thomas
Mary and Max’s jauntiness fades into a sadness that culminates on a note of self-acceptance -- and a great gratitude for the sustaining, redemptive power of friendship.
The Telegraph by Tim Robey
Elliot is a talent eccentric enough to make Nick Park look like an office drone, and the serious sadness underpinning his vision only makes the humour work better.
Empire
Tackling such un-animation topics as loneliness, body image, alcoholism, suicide and Asperger’s syndrome, it’s quirky, compassionate and slightly seedily sweet.
Empire by Dan Parkinson
Tackling such un-animation topics as loneliness, body image, alcoholism, suicide and Asperger’s syndrome, it’s quirky, compassionate and slightly seedily sweet.
Screen Daily
Both characters are endearingly freakish to look at, yet Eliot’s skill is to infuse them with such vulnerable tendencies and believable characteristics as to render them immediately human.
Screen Daily by Mike Goodridge
Both characters are endearingly freakish to look at, yet Eliot’s skill is to infuse them with such vulnerable tendencies and believable characteristics as to render them immediately human.
The Guardian by Andrew Pulver
You have to admire the ambition, even if Elliot doesn't always seem certain if he's laughing with or at his creations.
Variety by Justin Chang
Has its share of deadpan amusements, but its combo of mordant whimsy and tearjerker moments winds up curdling in an unappetizing fashion.
Loading recommendations...
Loading recommendations...