Handling the Undead | Telescope Film
Handling the Undead

Handling the Undead (Håndtering av udøde)

Critic Rating

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It is the thick of summer in Oslo, and three mourning families—of a mother, child, and partner, respectively—are shocked to discover their recently departed loved ones have reawakened. In these mysterious resurrections, there is hesitancy: why have they come back, and is it truly them?

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What are critics saying?

100

The Playlist by Charles Barfield

The devastatingly bleak story of Handling the Undead is a wrenching but beautiful exploration of grief and human connection in the face of something horrific.

90

Variety by Guy Lodge

Full of frail, mortal feeling and overcast last-days imagery, Handling the Undead lingers coolly in the bones longer than many zombie films that offer more immediate, grisly gratification.

85

The Daily Beast by Nick Schager

A zombie film unlike any other, focused less on mayhem than on grief, loss, and the quiet, tragic terror begat by the dead’s return.

83

Original-Cin by Karen Gordon

There aren’t zombies rampaging through Norwegian director Thea Hvistendahl’s quiet film. Instead, the spare, slow-paced, thoughtful film is an affecting story about coping with grief.

80

The Hollywood Reporter by David Rooney

The strong cast and distinctive approach to a widely trafficked subgenre make it a soulful rumination on loss.

76

Paste Magazine by Jacob Oller

In making its characters physically confront their heartbreak, Handling the Undead becomes one of the saddest, most contemplative zombie movies ever made.

70

The New York Times by Alissa Wilkinson

There are times when the film veers too near the maudlin for comfort, but it always finds its way back to something spare and meaningful.

70

Film Threat by Alan Ng

Handling the Undead is more of a philosophical journey than a survival journey.

70

Screen Rant by Graeme Guttmann

Handling the Under is not an effective horror movie, but its zombie-drama formula allows for a portrait of pain that settles in and stays like an infection.

70

Screen Daily by Amber Wilkinson

Hvistendahl gives her ensemble time and space to deliver the conflicted emotions they are feeling, a mixture of shock and longing playing out on their faces and in their movements.