Ezra | Telescope Film
Ezra

Ezra

Critic Rating

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  • France,
  • Nigeria,
  • United States,
  • United Kingdom,
  • Austria
  • 2007
  • · 105m

Director Newton I. Aduaka
Cast Mamoudu Turay Kamara, Mariame N'Diaye, Mamusu Kallon, Merveille Lukeba, Richard Gant, Mercy Ojelade
Genre Drama

Kidnapped as a child, Ezra testifies before a truth and reconciliation commission, giving an African perspective on the trauma, healing and reintegration into society of former child soldiers for the first time.

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What are critics saying?

80

Village Voice

Unsparing, pedagogic, and genuinely compelling.

80

Village Voice by Ella Taylor

Unsparing, pedagogic, and genuinely compelling.

75

TV Guide Magazine by Ken Fox

Aduaka's comprehensive account of an African nightmare covers a lot of important ground, making this flawed film worth seeing.

70

Variety

A passionate, harrowing drama about rebellion, atrocity and child soldiering in Africa, Ezra is raw and violent. There's no denying the film's power, or its frankness regarding the ongoing tragedy of Africa.

70

Variety by John Anderson

A passionate, harrowing drama about rebellion, atrocity and child soldiering in Africa, Ezra is raw and violent. There's no denying the film's power, or its frankness regarding the ongoing tragedy of Africa.

63

New York Daily News by Jack Mathews

There’s no questioning the sincerity of the filmmakers or the urgency of the subject matter, but the clumsiness with which this harrowing story of a child soldier in Africa may wear you out long before the puzzle is put together.

50

The New York Times by Stephen Holden

The movie’s sense of time is as vague as Ezra’s perception of it. Chaos is all he knows. Making Ezra even harder to follow, and undermining its authenticity, is the fact that its mostly African cast speaks in a heavily accented English. Mr. Kamara’s glowering lead performance, however, is riveting.

50

New York Magazine (Vulture) by David Edelstein

The story is hell to follow--the flashbacks aren’t in chronological order--and the nonacting variable.

42

Entertainment Weekly by Owen Gleiberman

The film is so committed to its view of Ezra as a pawn in the psychotic game of postcolonial Africa that he is never allowed, as a character, to become more than a pawn.