The A.V. Club by Mike D'Angelo

Viewers who enjoy a big rug-pull will want to keep an eye out for this one, as it essentially combines the surprise endings of several notable films into one all-encompassing “Gotcha!”

Time Out

The filmmaker throws in a strangely irrelevant twist before he’s through, but despite a lavish dose of gothic style, The Condemned’s trek toward absolution is pretty familiar.

The Hollywood Reporter by Frank Scheck

Although directed in effectively creepy fashion by Roberto Buso-Garcia, the film’s leisurely pacing and overall restraint will likely leave genre fans dissatisfied even as its lack of depth will turn off art-house patrons.

Slant Magazine by Steve Macfarlane

It adds up to a methodically bland, intellectually sluggish exercise in guilt-tripping that's nonetheless still more interested in its rich and sexy characters than the supposed unfortunates.

Los Angeles Times by Sheri Linden

A good idea for a ghost story is dead on arrival in The Condemned, a would-be thriller whose intended horror-tinged chills register as ho-hum hokum.

The New York Times by Manohla Dargis

The Condemned is uncanny only in its resemblance to a television soap, with acting as flat as the lighting and scenes that end with the kind of cliffhanger moments that otherwise announce commercial breaks.

Chicago Sun-Times

The Condemned is nothing but a creaky façade.

Village Voice

Writer-director Roberto Busó-Garcia's Spanish-language movie is so tame and so completely boring that to advertise it as a horror film is to insult the genre.