Fitting In | Telescope Film
Fitting In

Fitting In

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After being diagnosed with MRKH syndrome, a rare reproductive condition, sixteen-year-old Lindy’s understanding of her body and femininity is upended. Additionally, she struggles to make sense of how this diagnosis will impact her relationships with her new boyfriend, her friends, her mother, and herself in this period of realization.

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What are critics saying?

75

Observer by Emily Zemler

Fitting In, which was inspired by McGlynn’s own experience with MRKH, is a sweet coming-of-age story that doesn’t sugarcoat the complicated nature of Lindy’s struggles. It examines preconceptions of gender and sex with frank warmth, and Ziegler’s considered performance is open-minded and unafraid, especially when scenes call for her to confront her sexual shortcomings.

75

Original-Cin by Jim Slotek

Fitting In is kind of on-the-nose in the way it portrays the transference of attitudes.

75

The A.V. Club by Leigh Monson

Though not without its rough edges, McGlynn’s film is emotionally raw and willing to engage with the complexities and nuances of her situation, providing a fascinating look at the intersectionality of burgeoning womanhood, intersex identity, and messy sexuality that doesn’t adhere to rigid or widely acknowledged labels.

70

Variety by Dennis Harvey

While imperfect, Bloody Hell does entertainingly offer food for thought via an important overall point made in non-preachy form: Nature indeed does have room for variation in gender and sexual norms, no matter how loudly political or religious conservatives these days protest otherwise.

70

Film Threat by Sumner Forbes

It’s refreshing to see a sex comedy that recognizes that it’s really not all that simple for all of us.

67

Collider by Marco Vito Oddo

While Bloody Hell is undoubtedly courageous for dealing with many sensitive themes, the film struggles to find its pacing and keep the audience engaged in a story that sometimes feels too predictable.

60

Screen Rant by Mary Kassel

Structurally, Fitting In isn't perfect. It overuses the montage and features dialogue that leans more into preachy territory than Lindy's natural expression of their feelings. However, it's impossible to accuse the film of being anything less than emotionally truthful.

50

The New York Times by Natalia Winkelman

Its revelations about gender, sexuality and identity tend toward the obvious, and sometimes veer into the facile.