The A.V. Club by Matthew Jackson

Late Night With The Devil achieves that rare feat of feeling like something we were never supposed to see. But once we’ve seen it, we can’t look away.

Film Threat by Alan Ng

While the authenticity of a television show from that era may dampen the intensity of the scares, the film is still just plain fun to watch. The effects are wonderful, with the vast majority of them being practical. The Cairnes brothers lean on fun over terror, which may irk some. But, what fun is had!

Time Out by Phil de Semlyen

It’s wonderfully creepy and unnervingly familiar, like Alan Partridge by way of The Exorcist. If that doesn’t automatically enter it into the pantheon of classic midnight movies, I don’t know what does.

Total Film by Matt Glasby

Dastmalchian shines as Delroy, mugging to the studio audience as things spiral out of control, all the while rubbing his hands that he has managed to create the TV event of the decade. And along the way, the filmmakers pull off some rather nasty surprises.

The Irish Times by Tara Brady

Late Night with the Devil is at its best when it colours within the lines of the found-footage genre.

The New York Times by Alissa Wilkinson

The result is a nasty and delicious, unapologetic pastiche with a flair for menace. I had a blast.

Empire by Helen O'Hara

A smart, original approach makes this much more than just another Exorcist wannabe. You’ll sense that there are horrors coming, but you still won’t quite feel ready.

Los Angeles Times by Amy Nicholson

This is a pressure-cooker film, an exercise in small-budget simplicity that leans on one set and one goal: Keep ’em watching.

Screen Rant by Alexander Harrison

Late Night with the Devil is tremendously fun.

The Observer (UK) by Wendy Ide

Smart, cynical and at times devilishly funny, the film delivers a crackle of disruptive static to the demonic possession genre.