Ghostbusters | Telescope Film
Ghostbusters

Ghostbusters

User Rating

After losing their academic posts at a prestigious university, a team of parapsychologists goes into business as proton-pack-toting "ghostbusters" who exterminate ghouls, hobgoblins, and supernatural pests of all stripes. An ad campaign pays off when a knockout cellist hires the squad to purge her swanky digs of demons that appear to be living in her refrigerator.

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What are critics saying?

88

Chicago Tribune by Gene Siskel

Ghostbusters is a hoot. It's Murray's picture, and in a triumph of mind over matter, he blows away the film's boring special effects with his one-liners. Spotting a lusty, totally transformed, fire-breathing Slgourney Weaver, whose body has been overtaken by a spirit, Murray walks past her saying, "That's a new look for you, isn't it?" Thank you, Bill. And don't get outta here, you knucklehead. We like you in this kind of movie.

88

Chicago Sun-Times by Roger Ebert

Ghostbusters is one of those rare movies where the original, fragile comic vision has survived a multimillion-dollar production.

80

Time by Richard Schickel

Whoever thought of having evil's final manifestation take the form of a 100-ft. marshmallow deserves the rational mind's eternal gratitude. But praise is due to everyone connected with Ghostbusters for thinking on a grandly comic scale and delivering the goofy goods, neatly timed and perfectly packaged.

75

TV Guide Magazine

With his deadpan delivery and snide quips, Murray more than holds his own amid the myriad state-of-the-art special effects.

70

The Hollywood Reporter

Although it reunites the comic talents of director Ivan Reitman, writer Harold Ramis and star Bill Murray, the team responsible for the Meatballs phenomenon, their style here is far more laid-back and relaxed. There are still plenty of laughs, but not of the frantic sledgehammer variety.

63

The Globe and Mail (Toronto) by Jay Scott

Judged by the standards of the comedies that preceded it (and only by those standards), Ghostbusters is relatively sophisticated: it substitutes the silly for the gross, and even manages at the odd moment to take silliness into the sublime. [9 June 1984]

60

Variety

Within the top-heavy cast, it’s Murray’s picture, as the popular comedian deadpans, ad libs and does an endearing array of physical schtick.

50

The New York Times by Janet Maslin

However good an idea it may have been to unleash Mr. Murray in an ''Exorcist''-like setting, this film hasn't gotten very far past the idea stage. Its jokes, characters and story line are as wispy as the ghosts themselves, and a good deal less substantial.