Chicago Tribune by Michael Wilmington

Tries to blend old film noir and new high-tech thriller styles with only sporadic impact.

Rolling Stone by Peter Travers

Elliot fails to make the needed connection between the audience and a peeper who has lost his moral balance.

New York Post by Lou Lumenick

Watchable even when what's going on makes no sense whatsoever.

Village Voice by Jessica Winter

High-buffed, low-rack pulp.

Film.com by Robert Horton

Not terribly enjoyable to watch.

San Francisco Chronicle by Mick LaSalle

Attempts to convey emotional dislocation and passion at the same time. All we get is distance.

Entertainment Weekly by Ty Burr

There's not much else for viewers to do but give themselves over to the whims of the bad-movie gods.

Seattle Post-Intelligencer by Paula Nechak

A perfect example of form without content.

San Francisco Examiner by Wesley Morris

The single worst movie David Lynch never made.

Miami Herald by Curtis Morgan

Pretentious, perplexing and plain rock-dumb movie.