The Cathedral | Telescope Film
The Cathedral

The Cathedral

Critic Rating

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User Rating

An only child's meditative, impressionistic account of an American family's rise and fall over two decades.

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What are critics saying?

90

The Hollywood Reporter by Sheri Linden

D’Ambrose’s drama is attuned to how much sensitive kids keep inside, watching and holding their breath while the adults convince themselves they’re not making a mess of things.

90

The New York Times by Manohla Dargis

What distinguishes Jesse’s story is the striking way that the writer-director Ricky D’Ambrose tells it — its ellipses, voice-over, visual precision and an emotional reserve that can feel like clinical detachment but is more rightly described as an aesthetic.

88

RogerEbert.com by Sheila O'Malley

The Cathedral marries form to content in a striking way.

88

Slant Magazine by Chuck Bowen

The Cathedral is a deeply humanist film, but it’s also a relentlessly bleak exorcism of a family’s intolerances.

75

The Film Stage by Jordan Raup

It’s an ambitious undertaking for an 87-minute film, and while this lofty aim can result in a few passages striking a bit broad, one comes away admiring D’Ambrose’s meticulously committed approach to storytelling.

60

The New Yorker by Richard Brody

With the help of blankly matter-of-fact yet omniscient voice-over narration (spoken by Madeleine James), D’Ambrose achieves the span and the depth of a cinematic bildungsroman in shards of experience and epigrammatic flickers.