The Playlist by Tomris Laffly

It’s still worthwhile to consider the post-#MeToo ideas that Cat Person throws at the wall around notions like empathy, consent, and the vitality of crystal-clear communication and see what sticks. What you will end up with might look like a messy artifact, but one that will at least rattle in ways both witty and provocative.

Screen Daily by Tim Grierson

Emilia Jones and Nicholas Braun let the tension build between their characters and, although director Susanna Fogel doesn’t always navigate the film’s tricky tonal shifts well, Cat Person pokes at larger issues about modern courtship that don’t seem likely to disappear anytime soon.

The Hollywood Reporter by Lovia Gyarkye

A hair-raising third act adds an unusual coda — one that I, after only one viewing, am still processing. The relief, however, is in the filmmakers’ approach to these tense scenes: Fogel and Ashford loosen their grip, at last trusting us to sit in our discomfort, draw our own conclusions and sharpen our tools for the discourse.

IndieWire by Kate Erbland

While Susanna Fogel’s feature film version of the story is appropriately excruciating (this is a high compliment; mostly, it will set your teeth on edge and raise the hairs on the back of your neck, just as it should), its muddled, messy, and brand-new final act feels at odds with Roupenian’s story and the very emotions it raised with its readers. The final word on “Cat Person” the film? Not nearly as biting and perfectly pitched as the story that inspired it: It’s good…enough. It could have been more.

Entertainment Weekly by Leah Greenblatt

By swerving into territory already better owned by outrageous indies like Promising Young Woman — and to a lesser degree, last year's Sundance breakout Fresh — Cat forfeits its own underlying message, without finding anything else new or even particularly coherent to say.

Slashfilm by Chris Evangelista

If "Cat Person" could just strip away all the nonsense and instead focus on its more realistic, genuine elements, it would be something special. Instead, it ends up being a mildly amusing mixed bag.

Rolling Stone by David Fear

You can’t say that Cat Person is shy about taking the medium to task for selling a romantic ideal that’s more than a little curdled. If only it was this rigorous and incisive about the source material itself.

Los Angeles Times by Justin Chang

There is nothing better about this Cat Person, which coarsens, flattens and torturously over-elaborates a story whose elegant concision was precisely what made it such rich and elastic interpretive fodder.

The Guardian by Benjamin Lee

The chillingly unanswered questions of the story are all given the most obvious answers imaginable and relatability is carelessly tossed aside, along with logic and investment.

New York Post by Johnny Oleksinski

Even without the laughable new material, the addictive quality of the short story is lost in adaptation from the get-go.