Village Voice by Calum Marsh
The world the film describes is so vividly realized that it seems to spill over the edges of the frame, as if the lives of its characters will continue after the credits roll.
Critic Rating
(read reviews)User Rating
Director
Matías Piñeiro
Cast
Alberto Ajaka,
Esteban Bigliardi,
Elisa Carricajo,
Agustina Muñoz,
Laura Paredes,
Romina Paula
Genre
Drama
Several actresses get caught up in a web of romantic intrigue while performing in a production of Shakespeare's "Twelfth Night."
Village Voice by Calum Marsh
The world the film describes is so vividly realized that it seems to spill over the edges of the frame, as if the lives of its characters will continue after the credits roll.
Time Out by Keith Uhlich
Moreover, the story doesn’t climax in all’s-well-that-ends-well matrimony, instead building to a beautifully bittersweet moment of self-realization, one with a light-touch profundity that would make the Bard proud.
NPR
What results is a film that takes on the vicissitudes of life and love with honest concern, but also with a shrug of the shoulders — a movie that leaves us with a smile on our faces but also more than a few thoughts in our heads.
NPR by Tomas Hachard
What results is a film that takes on the vicissitudes of life and love with honest concern, but also with a shrug of the shoulders — a movie that leaves us with a smile on our faces but also more than a few thoughts in our heads.
Slant Magazine
In essentially offering up The Twelfth Night as a hazy Shakespearean mash-up, Viola isn't so much deeply disrespecting notions of ownership, authorship, etc., as charitably redefining them.
Slant Magazine
In essentially offering up The Twelfth Night as a hazy Shakespearean mash-up, Viola isn't so much deeply disrespecting notions of ownership, authorship, etc., as charitably redefining them.
The New York Times by A.O. Scott
The mischievous paradox of Matías Piñeiro’s Viola is that it is at once devilishly complicated and perfectly simple.
Boston Globe by Mark Feeney
Viola owes much of the pleasure it offers to the sorts of things one looks for in any good movie: an attractive cast, attractively photographed in an attractive location, and plotting that manages to feel relaxed without being lazy.
The Hollywood Reporter by Frank Scheck
While the pleasures of the brief (65 minutes) Viola are modest, it displays an imagination and stylishness that marks the young filmmaker as someone to watch.
The A.V. Club by Mike D'Angelo
It’s a pleasant, negligible wisp of a movie, notable mostly for what it suggests of its director’s potential.
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