Los Angeles Times by Kevin Thomas

Reygadas asks audiences to plunge headlong into his chaotic vision of the world, no questions asked but complete trust required. Not everyone is going to be willing or able to take this leap of faith, but those who do go along with Reygadas may well feel they have come away having undergone a stunning revelatory experience.

Village Voice by Michael Atkinson

Promiscuously inhabiting several planes at once, Reygadas's restless inquisition may already be this year's movie to beat.

TV Guide Magazine by Ken Fox

Simultaneously shocking and deeply religious, Carlos Reygadas' follow-up to his acclaimed 2002 debut, "Japon," tells the story of one man's battle for spiritual redemption through a series of explicit images rarely seen by even the most jaded art-house audiences.

New York Post by V.A. Musetto

Reyadas' radical rejection of filmmaking conventions is at first off-putting, but he's able to elicit remarkable performances from the cast of non-professionals while building tension that will hold viewers' attention. Love it or loathe it, you won't soon forget Battle in Heaven.

Seattle Post-Intelligencer by Sean Axmaker

Some audiences will find it an endurance test and Reygadas doesn't make it easy with his confrontational imagery, but he provokes emotions not often explored on screen.

The New York Times by Manohla Dargis

Working again with Diego Martínez Vignatti, the cinematographer for "Japón," the director doesn't just seize our attention; he commands it - forcing us into a world of terror and beauty.

The A.V. Club by Noel Murray

Battle In Heaven is like a serious of artful photographs, except that Reygadas also moves the camera in astonishing and unusual ways, swooping around the conventional x- and y-axes while teasing the audience with what he's about to show. He's got an astonishing technique. Here's hoping that someday he'll use it to make a movie.

New York Daily News by Elizabeth Weitzman

Reygadas is clearly out to shock us, to shake us and show us a host of furious ideas about class, gender, religion, nationality, love - really, there's very little he doesn't throw into this thickly ambiguous stew. If only he hadn't made his deliberately confusing, heavily symbolic story quite so difficult to digest.

Variety by Deborah Young

Both intensely exciting for its cinematic inventions and terribly uninvolving on emotional and dramatic levels.

Film Threat

There is an interesting set-up here for something great but Battle In Heaven never lives up to the expectations.

L.A. Weekly

Battle in Heaven cannot be so easily dismissed - indeed, it is that rare failed film that leaves you as eager to see what its maker will do next as you were when you walked in the door.

L.A. Weekly by Scott Foundas

Battle in Heaven cannot be so easily dismissed - indeed, it is that rare failed film that leaves you as eager to see what its maker will do next as you were when you walked in the door.

The Hollywood Reporter by Kirk Honeycutt

Proves to be a disappointing turn-off. The film deliberately works against most cinematic expectations.

Entertainment Weekly by Lisa Schwarzbaum

A notorious opinion divider last year at Cannes, Battle in Heaven is less about heaven or battle, or hell on earth, or the soul of Mexico, and all too much about gawking. And so, for all the ''shock'' of the movie's clinical carnality, this battle is lost.