New York Daily News by Elizabeth Weitzman

Every moment feels human and true, from the naive optimism of the trip's sendoff to its unsparingly realistic conclusion, which trades reckless hope for quiet honor.

The New York Times by A.O. Scott

The most powerful thing about The Pirogue is the way it deals with emotionally charged events matter-of-factly, rather than melodramatically. The story Mr. Touré has chosen to tell is both painfully specific - about these individuals, in this boat - and immeasurably vast, since the experience it depicts is shared by millions of people around the world. And yet somehow he gets the scale just right.

New York Post by Farran Smith Nehme

In the poignant, symmetrical end, Touré leaves the idea that the real yearning of these people is for a fair shake in their own home.

Variety

Toure crafts a handsome work that makes up in skill and honesty what it lacks in originality.

The Hollywood Reporter

This universal story could easily serve as a dramatically gripping primer on topical immigration issues to schoolchildren across the globe, from Arizona to Afghanistan. 　

NPR by Mark Jenkins

The Pirogue spends only about an hour on open water, but that's enough to convey the risks that make the trip foolish, and the desperation that makes it inevitable.

Village Voice

For all the tense interpersonal conflicts and the inevitable, if thrilling, stormy-seas set piece, what proves most striking are the exactly rendered little moments.

The Hollywood Reporter by Stephen Dalton

This universal story could easily serve as a dramatically gripping primer on topical immigration issues to schoolchildren across the globe, from Arizona to Afghanistan. 　

Variety by Jay Weissberg

Toure crafts a handsome work that makes up in skill and honesty what it lacks in originality.

Village Voice by Andrew Schenker

For all the tense interpersonal conflicts and the inevitable, if thrilling, stormy-seas set piece, what proves most striking are the exactly rendered little moments.

Time Out by Keith Uhlich

There's enough filmmaking talent evident throughout that you wish the journey were more satisfying overall.

Slant Magazine by Calum Marsh

Moussa Touré's worldview, like Ousmane Sembene's, is characterized by the feeling that, at the end of the day, some degree of loss or defeat is inevitable.