Chicago Tribune by John Petrakis

This wise, clever Israeli film reintroduces the once-popular concept of film as allegory, as it follows a Christian pilgrim on his bumpy road to salvation.

New York Post by V.A. Musetto

A parable about greed. But don't let that serious-sounding description keep you away. It also is funny, knowing and immensely enjoyable.

New York Daily News by Jami Bernard

Has something to add about the toll Western society takes on spiritual values, and the ugliness of consumerism.

Christian Science Monitor by David Sterritt

Isn't glossy, but it has a thought-provoking mix of skepticism, hopefulness, and respect for all but its most scurrilous characters. Hollywood could learn from its canny blending of psychological and multicultural insights.

TV Guide Magazine by Ken Fox

Its brightly colored surfaces and chirpy, picaresque tone notwithstanding, filmmaker Ra'anan Alexandrowciz's first feature is a scathing condemnation of the rampant venality he perceives as having gripped his country.

The New York Times by Dana Stevens

As social criticism -- not only of Israel, but of other affluent countries as well -- James' Journey is both potent and a little didactic.

Variety by Derek Elley

There's a fable-like quality to this first feature by documaker Ra'anan Alexandrowicz that packs just as much punch as a more "serious," didactic movie while entertaining the viewer at the same time.

Village Voice by J. Hoberman

A deceptively modest fable of innocence abroad that resonates with the situation within Israel and without.

The A.V. Club by Scott Tobias

An awkward marriage of fairy-tale and social realism.

Entertainment Weekly by Owen Gleiberman

You'd think that the film would ask you to be appalled at this scenario of forced servitude -- but no, it's treated as harmless and cute, like an Israeli ''Chico and the Man.''