Film Threat by Alex Saveliev

With the keen eye of a seasoned documentarian, the filmmaker captures all the depression, anxiety, boredom, love, loathing, and insecurity of seemingly apathetic teens, her gaze never mocking or judging.

The Guardian by Cath Clarke

This gentle, authentic-feeling coming-of-age drama from Ukrainian film-maker Kateryna Gornostai premiered at the Berlin festival in 2021. Released in the UK almost a year to the day since the Russian invasion, her film has become unbearably poignant.

Los Angeles Times by Katie Walsh

The sensually crafted Stop-Zemlia is a fine conduit to bring forth those visceral sense memories of teenage life

TheWrap by Elizabeth Weitzman

The press notes for Stop-Zemlia call Kateryna Gornostai’s coming-of-age story “radical, authentic, and sensitive.” The latter two descriptors are accurate. The movie’s power, however, comes not from any radicalism but from how authentically ordinary it feels.

Movie Nation by Roger Moore

Lacking a more coherent organizing principle than “fly on the wall/slice of life” renders Stop-Zemlia — which takes its title from a sort of long-running game of slap-tag — somewhat colorless, if not entirely pointless.

The Playlist by Kevin Jagernauth

Utilizing non-professional actors, and blurring the lines between documentary and fiction, Stop-Zemlia is a sympathetic portrait of the tidal forces of teenagehood. Yet, despite the film’s quiet sprawl and yearning ambition, Gornostai’s painstakingly observant eye never uncovers fresh insight into the thrumming heart of that transformative moment.