The New York Times by Beatrice Loayza

Lentzou, with her first feature no less, gets at something much knottier about what it feels like to get older and perceive your parents as full people, in all their flaws and vulnerabilities; the pains and pleasures of adulthood, contrary to expectation, yield just as much, if not more, unpredictability than in youth.

Film Threat by Alan Ng

Moon, 66 Questions is a movie made for adult children reluctantly forced into the care of their parents. Lentzou brings their struggle to the big screen with great empathy and introspection in that says you’re not alone.

The Observer (UK) by Wendy Ide

As the enigmatic, tarot-inspired title suggests, questions remain, but Lentzou leaves us with the sense that this long-stalled relationship can finally move forward.

Los Angeles Times by Noel Murray

The film’s icy style pays surprising emotional dividends by the end, with the heroine’s silent meditations on who she is and whether she owes anything to her family culminating in moments of real tenderness.

Little White Lies by Marina Ashioti

Lentzou is certainly onto a winning formula, but it’s Kokkali and Georgakopoulos’ superb performances that ultimately make up for Moon’s shortcomings.

The Guardian by Peter Bradshaw

Kokkali persuasively enacts both the emotional hurt and emotional healing.

Movie Nation by Roger Moore

It’s a self-consciously-filmed soft-spoken drama about family, family responsibilities and family secrets, and truthfully a rather drab affair where the stakes are low and the emotions kept in check for the most part.