The Film Stage by Jose Solís

The film is at its best when it lets Audrey be her own story. There is something quite beautiful in the unassuming way she carries herself walking in refugee camps, hugging orphaned children not because there’s a camera around, but because she couldn’t live in a world where a child had no one to hug them.

The Telegraph by Tim Robey

This film leaves you itching to read a meaty biography, even as it solidly maps out Hepburn’s emotional life, and explains the relationship with trauma which cut her out so well to be a UNICEF ambassador, raising millions for Bosnian war orphans and Somalian famine relief.

Chicago Sun-Times by Richard Roeper

While this worshipful documentary breaks no new ground and often seems like little more than a glorified IMDB bio accompanied by video, it serves as a lovely and valuable reminder of Hepburn’s unique star power and grace in front of the camera — and her kindness and tireless work for the less fortunate long after she had kissed the cinema a fond farewell.

The Hollywood Reporter by Leslie Felperin

Even if you watch it alone on a laptop with a bottle of cheap beer and a dried-up turkey sandwich, Audrey is a pleasure. That's mostly due to the still-incandescent star power of its subject.

The Guardian by Peter Bradshaw

By and large, it’s an exasperating, simpering, Hello-magazine-interview of a film, blandly celebrating her “iconic” presence in the horribly overrated Breakfast at Tiffany’s, in which she was absurdly unrelaxed and self-conscious.

Los Angeles Times by Sheri Linden

The comedy unfolds mostly in real time, but its grasp of real human behavior is shaky.

The Hollywood Reporter by Justin Lowe

Aside from the ponderously contrived narrative, however, which mines a long list of supposedly relatable female insecurities and neuroses, much of the characterization relies on one-dimensional stereotyping.

Village Voice by Inkoo Kang

Billed as a comedy but nothing more than a shallow and exasperating portrait of female self-loathing, Dean Pollack's Audrey puts its protagonist through hell -- and its audience along with her.