New York Post
I was reminded, at times, of the painstakingly detailed beauty of “The Triplets of Belleville,” but Moore has a more ethereal, rounded aesthetic all his own. They don’t make movies like this anymore — except when, lucky us, they do.
Critic Rating
(read reviews)User Rating
Director
Tomm Moore
Cast
Brendan Gleeson,
Fionnula Flanagan,
David Rawle,
Pat Shortt,
Jon Kenny,
Lisa Hannigan
Genre
Family,
Animation,
Fantasy
The story of the last Seal Child’s journey home. After their mother’s disappearance, Ben and Saoirse are sent to live with Granny in the city. When they resolve to return to their home by the sea, their journey becomes a race against time as they are drawn into a world Ben knows only from his mother’s folktales.
New York Post
I was reminded, at times, of the painstakingly detailed beauty of “The Triplets of Belleville,” but Moore has a more ethereal, rounded aesthetic all his own. They don’t make movies like this anymore — except when, lucky us, they do.
New York Post by Haley Goldberg
I was reminded, at times, of the painstakingly detailed beauty of “The Triplets of Belleville,” but Moore has a more ethereal, rounded aesthetic all his own. They don’t make movies like this anymore — except when, lucky us, they do.
Los Angeles Times by Kenneth Turan
Song of the Sea is a wonder to behold. This visually stunning animation masterwork, steeped in Irish myth, folklore and legend, so adroitly mixes the magical and the everyday that to watch it is to be wholly immersed in an enchanted world.
Washington Post by Michael O'Sullivan
Enchants on every level: story, voice work, drawing and music.
Philadelphia Inquirer by Tirdad Derakhshani
A transcendent work from Ireland's Cartoon Saloon studio that's almost wasted on kids.
Empire by Will Lawrence
Visually, this is an exquisitely composed film, and it teems with curiosities and compassion. If on occasion the story seems to wander, it arrives at an enchanting destination.
Christian Science Monitor by Peter Rainer
The plot may be a bit too busy, but a great wash of transcendent imagery floods the screen. If I had to recommend the best children’s film out there for all ages, this one, and “The Tale of Princess Kaguya,” would easily top the charts.
Charlotte Observer by Lawrence Toppman
Moore makes no attempt at visual reality. The colors and drawings employ the flat design of a handsomely decorated book, and the children have the huge eyes, disproportionately large heads and small bodies you sometimes see in Japanese animation.
Portland Oregonian by Marc Mohan
If Song of the Sea had had the promotional muscle of Disney or Dreamworks behind it, it may have won this year's Oscar for Best Animated Feature instead of merely being nominated. It certainly would have deserved it.
Wall Street Journal by Joe Morgenstern
Song of the Sea was made primarily, though not exclusively, for young children. Its unhurried pace will serve as an antidote to, or even an inoculation against, the mad rush of most contemporary animation. This is a film made by the other crowd, people who care about helping children to care about the medium of film for the rest of their lives.
Variety by Peter Debruge
Song of the Sea is differentiated not only by its rich visual design — grayer and more subdued than “The Secret of Kells,” yet still a marvel to behold — but also by its ethereal musical dimension, another collaboration between composer Bruno Coulais and Irish folk band Kila.
The New York Times by Jeannette Catsoulis
Song of the Sea moves delicately but purposefully from pain to contentment and from anger to love. On land and underwater, the siblings’ adventures unfold in hand-drawn, painterly frames of misty pastels, sometimes encircled by cobwebby borders that give them the look of pictures in a locket.
The Dissolve by Noel Murray
Song Of The Sea is a triumph of design and animation, populating lavishly detailed, patterned backdrops with characters so simplified that they could’ve been cut-and-pasted from a newspaper comic strip.
Village Voice by Sherilyn Connelly
The picture is beautifully rendered in pencils and watercolors, with some CG, giving it an appropriately timeless storybook look, even though it's set in a mostly modern world of buses and 3-D glasses.
The Hollywood Reporter by Boyd van Hoeij
The narrative’s general rites-of-passage layout is of course extremely familiar, though, especially for foreign audiences, many of the stories-within-stories and characters that dot this particular journey will feel new as well as delightful.
The Globe and Mail (Toronto)
Voice cast member Lisa Hannigan, an Irish songstress who sings here in a Celtic-ethereal style, features on a soundtrack that is mystic, eerie and freeing. Yeats is whispered: ‘Come away, human child/To the water and the wild.’ Inviting? Very much so.
Slant Magazine by Carson Lund
Even as it entertains increasingly far-fetched detours, the film's folkloric narrative offers an ideal vehicle for this pictorial play.
RogerEbert.com by Simon Abrams
Visually splendid, but generically flat-footed, Song of the Sea is an animated fantasy that comes close to greatness, but is rarely as clever as it is comforting.
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