Los Angeles Times by Katie Walsh

Pribar’s humane and heartbreaking drama is beautifully photographed and performed; a loving, warm, and even sexy film about death and dying that is teeming with life.

IndieWire by Eric Kohn

Pribar’s subtle movie eschews sentimentalism for a patient and inquisitive character study, mining familiar territory and rejuvenating it with emotional impact that worms its way into the material from unexpected places.

Variety by Guy Lodge

From Daniella Nowitz’s muted, intimately lit lensing to the plaintive, judiciously used piano strains of Karni Postel’s score, every formal element of Asia serves to illustrate and enrich the tricky, evolving relationship at its center — brushing, rather than milking, the viewer’s tear ducts along the way.

The Observer (UK) by Wendy Ide

This impressive Israeli feature debut from Ruthy Pribar stars a mesmerising Shira Haas.

The Hollywood Reporter by David Rooney

The maturity of the directorial voice is evident in its clear-eyed, rigorously unsentimental assessment of a shattering situation.

The Guardian by Peter Bradshaw

This is a candid, sober, well-acted debut by the first-time director Ruthy Pribar.

The New York Times by Devika Girish

Asia and Vika struggle to emerge as full-fleshed characters from the movie’s dull, blue-grey frames, while the script rushes through provocative plot turns in its bleak procession toward a wrenching conclusion.