The Observer (UK) by Simran Hans

Rarely does a half-hour TV show successfully stretch itself into a 90-minute film. It’s a nice surprise, then, that the popular BBC mockumentary works as a feature.

The Irish Times by Donald Clarke

Rather than just pushing the characters through their familiar beats, the well-judged narrative arc takes them on something like a proper journey.

Time Out by Phil de Semlyen

Long-time fans will love it, even if its charms wear a bit thin for anyone who doesn’t already have Kurupt FM on their dial.

The Telegraph by Robbie Collin

There’s an inevitable and perhaps unavoidable hitch. People in sitcoms generally don't change at all, while people in films can rarely afford not to – and a movie-sized plot, with its multiple emotional crests and dips, isn’t the kind of environment these characters were built to thrive in.

The Guardian by Steve Rose

What really redeems the film are the brilliantly observed characters: these are archetypes of modern Britain that nobody really nailed before. Created by the principal actors themselves, they are generally portrayed with affection rather than condescension, and performed so convincingly that a newcomer might well believe they were real people.

Empire by Beth Webb

Though it doesn’t stray far beyond fan service, this is a comfortable extension of a beloved British show that delivers a reliable mix of quotable comedy and heart.