TV Guide Magazine by Maitland McDonagh

Character-driven thriller, which plays out against a backdrop of desperation, self-loathing and grinding poverty.

New York Daily News by Elizabeth Weitzman

Very good but very grim, Paul Andrew Williams' punishing debut doesn't pull many punches - although the characters certainly field their share of body blows.

New York Post by Kyle Smith

A chilling pulp movie told with a pavement-eye view of the dregs of humanity.

Entertainment Weekly by Lisa Schwarzbaum

Writer-director Paul Andrew Williams' unnecessarily hectic debut feature won several British film festival awards, no doubt for its bounty of low-budget stylized violence and blood, as well as its thing for prostitutes and runaways.

The New York Times by Manohla Dargis

A slice of social realism, a wedge of naturalism, a symbolically freighted fairy tale -- at times, London to Brighton feels like all of these combined, which, before it all turns to mush, gives the film the aspect of a fascinating and ambitious pastiche. There’s something provocative about Mr. Williams’s attempt to join together so many conflicting, contradictory influences, even if in the end they manage only to cancel one another out.

Variety by Derek Elley

Does what it does well but too often seems a pointless exercise in British miserabilism crossed with a nasty gangster yarn.

Village Voice

LTB offers a fresh (if grimy) contribution to kitchen-sink realism, but little to the tiresome persistence of vicious British gangster chic.

Village Voice by Nathan Lee

LTB offers a fresh (if grimy) contribution to kitchen-sink realism, but little to the tiresome persistence of vicious British gangster chic.