The Playlist by Christian Gallichio

Although Tamhane’s sedate pacing might put off those expecting a more visceral dive into the culture of Hindustani music, The Disciple is profound in its microcosmic world-building, slowly creating Sharad’s life through individually realized moments, adding up to an extraordinary portrait of a failed artist.

IndieWire by Eric Kohn

In Tamhane’s dreamy, transcendent character study, the undulating raga melodies serve as a transformative portal to self-discovery that places the audiences in the confines of its entrancing power.

Variety by Jay Weissberg

Tamhane patiently constructs his characters out of small details, relying on his audience to pick up on small changes and muted shifts of tone that signal the passage of time and Sharad’s interior journey.

Christian Science Monitor by Peter Rainer

This is not intended as a movie about what a genius must endure on the path to success. Sharad’s story is much more relatable than that.

Los Angeles Times by Justin Chang

Among other things, “The Disciple” is a decades-spanning chronicle of an entertainment industry in constant technological flux, which means it’s fascinated by the ephemeral as well as the eternal.

The New Yorker by Richard Brody

In its depiction of Guruji’s mastery, The Disciple conjures the wonders and the mysteries of a life that is itself a work of art.

RogerEbert.com by Nick Allen

The Disciple is a great example of when filmmaking and acting styles complement each other, and it’s that bond that feels to be a significant part of what makes Tamhane’s film so special, so resonant.

Slant Magazine by Derek Smith

Chaitanya Tamhane gives full dimension to the rich, complex, and sometimes contradictory nature of the relationship between disciple and guru.

The Film Stage by Rory O'Connor

It is not a flawless achievement, but The Disciple has that feel of a burgeoning master: the patience and sureness of touch; the controlled surrealist flourishes; the sheer ambition and scope.

The A.V. Club by A.A. Dowd

For all the fascinating insight the film provides into a musical subculture passing slowly into the archives of history, its melancholy is more universal: Anyone who’s ever devoted themselves fully to a passion, only to discover that the rest of the world barely gives a shit, will smile sadly with recognition.

Screen Daily by Wendy Ide

What’s most interesting, although it gets slightly buried under a few too many almost identical musical performances, is the film’s account of the fractious symbiosis of the guru-disciple relationship.

The Hollywood Reporter by Deborah Young

The film has its own fascination that rises above the type of music being played and sung.

The Guardian by Xan Brooks

I wish that I enjoyed The Disciple as much as I admired it. The film is a labour of love insofar as it feels overthought and overburdened, with all the rough edges planed down.