TheWrap by Ronda Racha Penrice

Deer, a rare filmmaker of Mohawk descent, portrays in Beans the hope and love that help people thrive in the face of such hatred.

Screen Daily by Nikki Baughan

Tracey Deer’s feature debut Beans vibrates with ferocious anger and righteous pride.

Variety by Guy Lodge

Beans is a thoughtful, stirring reflection by someone who survived it all, quietly demanding acknowledgement not just of her land, but of her life.

IndieWire by Jude Dry

In Beans, Deer has transformed the most painful experience of her life into a vital human story, while holding an unflinching mirror up to the racism and discrimination indigenous communities still face to this day.

Original-Cin by Thom Ernst

Beans is an ambitious film that, for the most part, works. It extends its efforts to reach a larger audience, but the story it tells is easy to admire.

The New York Times by Teo Bugbee

This is the first fictional film directed by the documentarian Tracey Deer, and she brings a good eye for which characters might make a compelling story.

Movie Nation by Roger Moore

Deer has made a richly-detailed debut feature about an ugly piece of Canadian history, and it’s to her credit that she lets young heroine see the escalation from both sides, and lets the viewer see what this does to her.

The Film Stage by Jared Mobarak

Violence becomes both a weapon and a tool throughout the proceedings while words do the same since both must sometimes be wielded as the former in order to be successful as the latter.

Film Threat by Alex Saveliev

It feels timely and urgent, and its phenomenal young heroine ensures it doesn’t become overly mawkish, preachy, or prosaic.

The Hollywood Reporter by Sheri Linden

Mohawk director Tracey Deer, who lived through the violent 78-day conflict as a 12-year-old, has made a film that's eye-opening. Beyond her firsthand understanding of indigenous people's struggles, she's keenly attuned to girlhood growing pains — well captured in the expressive and engaging performance by Kiawentiio, leading a strong cast.

The A.V. Club by Katie Rife

A specifically French-Canadian and Native coming-of-age story that’s heavy handed in some ways and delicate in others.

The Globe and Mail (Toronto) by Barry Hertz

When Beans works, it resonates deeply. And when it doesn’t, it’s not a tragedy – just evidence of a filmmaker finding what works for her voice and vision, and what might work better for an anticipated follow-up.

RogerEbert.com by Nick Allen

With its coming-of-age and its historical context, Beans concerns ideas of pain and conflict, but it’s too timid to really engage those ideas, to honor their discomfort aside from how horrific discrimination is (a few scenes of the family being ambushed by racist Canadian citizens are upsetting, but played too directly for tears).