New Orleans Times-Picayune by Mike Scott
The result is a film that is at once sobering and thoughtful -- and, yes, uncomfortable, at times. But it's a necessary uncomfortable.
Director
Juan Carlos Bustamante
Cast
Luis Dubó,
Aníbal Reyna,
José Soza,
Angélica Riquelme,
Mario Bustos,
Gonzalo Canelo,
Mauricio Diocares,
Rafael Ahumada,
Héctor Aguilar,
Luciano Morales
Genre
Drama,
TV Movie
A young horse-tamer is wrongly accused of theft.
We hate to say it, but we can't find anywhere to view this film.
New Orleans Times-Picayune by Mike Scott
The result is a film that is at once sobering and thoughtful -- and, yes, uncomfortable, at times. But it's a necessary uncomfortable.
St. Louis Post-Dispatch by Calvin Wilson
Brilliantly blending archival material, including clips of Baldwin on television and in public appearances, with narration by Samuel L. Jackson, Peck makes intriguing connections between the 20th century civil rights movement and the contemporary activism of Black Lives Matter.
Chicago Tribune by Michael Phillips
This movie isn't just a tribute to Baldwin. It's a warning bell regarding leaders who, in Baldwin's words, care only about "their safety and their profits."
Boston Globe by Ty Burr
Here are great swaths of Baldwin’s prose, read by Samuel L. Jackson in a vocal impersonation that is actually a rather brilliant piece of acting — he convinces you it’s the writer you’re hearing.
IndieWire by Eric Kohn
By the end of I Am Not Your Negro, Baldwin’s words have transcended the boundaries of their era and become timeless, functioning as both a celebration of cultural survival and a warning that the battle for its survival won’t stop anytime soon.
Los Angeles Times by Kenneth Turan
What makes I Am Not Your Negro a mesmerizing cinematic experience, smart, thoughtful and disturbing, goes well beyond words.
Time Out by Joshua Rothkopf
Masterfully addressing the American racial divide, past and present, director Raoul Peck’s six-years-in-the-making documentary, I Am Not Your Negro, is a galvanizing, ominous film, thrumming with a sense of history repeating itself.
Village Voice by Odie Henderson
Readers of Baldwin’s work already know that it’s as timely and relevant today as it was when he wrote it decades ago. I Am Not Your Negro powerfully highlights this point for today.
Variety by Owen Gleiberman
Raoul Peck’s I Am Not Your Negro is the rare movie that might be called a spiritual documentary.
The Guardian by Jordan Hoffman
It is a striking work of storytelling. By assembling the scattered images and historical clips suggested by Baldwin’s writing, I Am Not Your Negro is a cinematic séance, and one of the best movies about the civil rights era ever made.
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