The Playlist by Carlos Aguilar

Far from being copraganda, A Cop Movie, the new feature from director Alonso Ruizpalacios (“Güeros,” “Museo”), is a formally daring and incisive deep dive into their performance of authority.

Variety by Peter Debruge

At times, A Cop Movie seems unnecessarily convoluted in its structure, but by the end, the brilliance of its design becomes clear: This is nothing short of an existential inquiry into what it takes to be a cop.

IndieWire by Eric Kohn

Director Alonso Ruizpalacios’ exciting and unpredictable look at a pair of Mexico City police officers blends documentary and narrative techniques to deliver a refreshing and innovative look at the challenges of modern-day police work — as well as the underlying corruption that makes the most earnest officers vulnerable to a system rigged against them.

The Guardian by Peter Bradshaw

It’s a movie bristling with ideas and ingenuity.

Screen Daily by Allan Hunter

The layering of styles and perspectives provides a sympathetic insight into the motivations and real life experiences of police officers working within a fundamentally corrupt system.

Paste Magazine by Natalia Keogan

A Cop Movie is artistic activism at its finest, carefully treading the line of fact and fiction in a manner that illuminates rather than obfuscates.

The New Yorker by Richard Brody

Along with its trenchant, revelatory depictions and discussion of police work and related political ills, A Cop Movie pulls these hidden vectors of image-making, opinion-shaping power to the fore.

RogerEbert.com by Glenn Kenny

A Cop Movie, directed by Alonso Ruizpalacios, is exceptionally challenging to begin with. As the movie unspools, and the layers of its production become clearer, we understand the challenge is the movie’s entire objective—up to a point.

Slant Magazine by Chuck Bowen

Alonso Ruizpalacios voices a profound sense of powerlessness on the part of the police without sentimentalizing the abuses and biases of the profession.

Los Angeles Times by Robert Abele

The blurring of real testimony with a compassionate filmmaker’s inventions is so compelling that when the documentary portion arrives, the movie can’t help but sink a bit.

The Film Stage by David Katz

A Cop Movie is too gentle to rouse new disdain for an institution currently subject to such piercing critique. It chooses to make the self-consciousness about its subject matter into a twee form of guilty self-awareness, when what’s needed is bitter medicine, or just insights that better challenge our moral certainties.

The A.V. Club by Vikram Murthi

Aside from the Mexico City setting, it doesn’t really accomplish anything unique either. A Cop Movie feels in the end like, well, a cop movie, only with an eye for society instead of the unit. That’s not enough to separate it from the pack.