Film Threat by Eric Campos

Gory, scary, smart and funny, this is definitely one of the best horror films I’ve seen in years.

Seattle Post-Intelligencer by Sean Axmaker

Completely -- and quite cleverly -- contrived, a cascade of stupid mistakes and miscommunication stirred into a visceral stew of gooey blisters and flaying layers of bloody flesh.

Film Threat by Kevin Carr

While Cabin Fever takes its horror very seriously, it still shows that it has a sense of humor.

The New York Times by Stephen Holden

Sustains such a palpable mood of foreboding until the end.

Village Voice by Michael Atkinson

Roth never fully exploits the woods around him, and the homes of the locals are far too middle-class, but because so many clichés are discarded amid the flesh rot, even the patented "Night of the Living Dead" coda feels sharp-edged and genuine.

Premiere by Glenn Kenny

It plays on your knowledge of/expectations about generic horror movies and then either delivers the goods from an unexpected angle or pulls the rug out from under you.

Rolling Stone by Peter Travers

First-time director Eli Roth turns this cheapie into a greatest-hits of horror. It's a blast of good gory fun that just won't quit.

Charlotte Observer by Lawrence Toppman

If this story has a moral -- though unlike many horror films, it doesn't seem to -- it's that humans are likelier to destroy themselves than help each other.

Miami Herald by René Rodríguez

A ferociously entertaining and mean little horror movie that achieves the kind of outrageous vibe best enjoyed in a crowded, noisy theater.

Philadelphia Inquirer by Steven Rea

Roth, who has taken more than a few cues from Raimi, David Lynch (whom Roth worked with), and George Romero (Night of the Living Dead), is working in a horror tradition that goes way back -- and he's working it with nasty glee.